Tag: Voice

Ms. Ellie Kim

Ms. Ellie Kim was recognized with “great critical acclaim” by Opera News online for the role of Rita in Donizetti’s Rita with the Martina Arroyo Foundation. Ms. Ellie Kim is a Washington, DC -based Soprano who is originally from Seoul, Korea.

Ms. Ellie Kim has been a featured soloist in various concerts including Liebster Jesu, Alles nur nach Gottes Willen in Baltimore, Wir danken dir, Gott, wir danken dir, and Britten’s A Ceremony of Carol with the Washington Bach Consort. She also performed the soprano solo in Mozart’s Requiem, John Rutter’s Gloria and Handel’s Messiah in the DC area.

She made her debut in operatic roles performing Lucy in Gian Carlo Menotti’s The Telephone at the National Theater of Korea.

Her operatic highlights include the role of Pamina in Mozart’s Die Zauberflöte, Rita in Donizetti’s Rita, Barbarina in Mozart’s Le Nozze di Figaro, Sophie in Massenet’s Werther, and Liu in Puccini’s Turandot.

As a teacher, Ms. Ellie Kim prioritizes getting to know each of her students individually by finding out what kind of music they enjoy listening or wish to play in order to integrate this interest into the curriculum. It is her goal to help each student attain a balance of proper technique and a joy for music so that he/she will learn how to express and reach the hearts of their audience. She hopes to provide an encouraging and inspiring environment that will nurture a love and appreciation for music. Ms. Kim teaches voice and piano.

Ms. Kim received her Master of Music degree from Manhattan School of Music in New York and her Bachelor of Music in Korea.

Dr. Ji Eun Kim

Soprano Ji Eun Kim was born and grew up in Seoul, South Korea. She earned her Bachelors Degree in Voice from Yonsei University in Korea. In the United States she received her Masters Degree in Voice from the Peabody Conservatory studying with Prof. Phyllis Bryn-Julson, and an Artist Diploma in Voice and Opera from the Cleveland Institute of Music studying with Dr. Mary Schiller. Recently, she received her Doctor of Musical Arts in Voice and Opera from Boston University studying with Penelope Bitzas. Now, she has relocated to Gaithersburg in Maryland and is teaching, conducting and singing for the choir at Korean Presbyterian Church of Baltimore.

Dr. Kim has performed numerous roles in opera productions of the Boston University Opera Institute including Violetta (La traviata, act 3), Lidoine (Dialogues of the Carmelites), Miss Wingrave (Owen Wingrave), Vitellia (La clemenza di Tito), Eliza (Dark sisters), and Donna Anna (Don Giovanni). Also, she performed Komponist in Ariadne auf Naxos and Beatrice in Beatrice et Benedict while at Cleveland, and Countess in Le nozze di Figaro and First Lady in Magic Flute while completing her Masters Degree. For concert work she performed the whole work of Handel’s Messiah and Haydn’s The Creation in the Yonsei Concert Choir and was the soprano soloist of Handel’s Dixit Dominus, HWV 232 with Neponset Choral Society. Recently, she made her debut at Boston Symphony Hall as a soprano soloist of Beethoven’s Ninth Symphony conducted by Ken-David Masur. In the summer of 2015, she was a featured artist at Opera Theater of Pittsburgh and performed the role of the Countess in Le nozze di Figaro.Dr. Kim was a first prizewinner in both the local Metrowest Opera Competition and the Piccola Opera Competition in New Hampshire; 4th prize winner of the Bel Canto Competition and received the encouragement award from the NEMPAC competition in Boston. Dr. Kim has received several accolades for her opera performances. Among them includes the fall 2012 performance of Violetta in the third act of La traviata at the Fringe Festival with the Boston University Opera Institute. “Kim’s initially delicate singing accurately depicted Violetta’s physical and mental frailty, but she revealed a clean, well-tempered sound in her passionate duet with Alfredo.” “Ji Eun Kim used her gleaming soprano to penetrating effect as Composer” in Ariadne auf Naxos, and “Ji Eun Kim brought warm charisma to the opera’s subversive protagonist, Eliza, and shaped a strong, resolute persona with minimal resources” in Nico Muhly’s Dark Sisters.

Dr. Monica Roberson, Director

Monica Tripp-Roberson, D.M.A, is a recognized performer, composer and music educator. Before receiving her Doctorate of Music in Composition/Theory and Piano Performance from the University of Illinois at Urbana-Champaign, Dr. Roberson also studied at Peabody Conservatory of Music where she received her Master’s of Music and the University of North Florida where she received her Bachelor’s of Education in Music.

As a pianist, she has performed throughout the United States to rave reviews. She has been featured on public television in Jacksonville, FL. Her piano playing has been described as “passionate and energetic.” She has competed in various piano competitions and received awards such as third place winner of the DeBose National Piano Competition.

As a composer, Dr. Roberson has composed various pieces ranging from solo to symphonic works. Her music has appeared in master classes with world-renowned vocalist, Dawn Upshaw. She has won several composition competitions, some of which include winner of the Margaret Blackburn Composition Competition. She was also awarded the Eubie Blake Scholar Award for outstanding musician and composer. During her studies at the University of Illinois at Urbana-Champaign, she was awarded a grant from the Women’s Studies program in order to compose her chamber opera piece titled “A Room of One’s Own” based on the book by Virginia Woolf. She currently accepts commissions and participates in collaborations with artists. With every note she writes, she strives to touch the souls of listeners through rich, colorful, and energetic sounds.

As a teacher, Dr. Roberson has received positive ratings from her students. She teaches piano, strings, woodwind, brass and percussion. Her students have won various competitions and scholarships such as first place in the ACT-SO competition for vocal performance and second place in the ACT-SO competition for violin performance. She has recently taught at the University of Illinois at Urbana-Champaign, Spelman College, Howard University, the University of Maryland at Baltimore County and Anne Arundel Community College. She has also assisted with the growth and development of private piano programs at the Nathan Carter School of Music, Maryland Conservatory of Music and Champaign School of Music. Dr. Roberson is a recipient of the Guild Teachers’ National Honor Roll Award from the American College of Musicians for preparing top students for piano adjudication and international composition contests. In 2022, she was award the Piano Guild Hall of Fame. Dr. Roberson is currently a part-time professor at Howard Community College.

Dr. Roberson is also active in church music ministry. She has served as musician and assistant director at the Cross Creek Presbyterian Church and Mt. Nebo Baptist Church in Jacksonville, FL, Warner Baptist Church in Falls Church, VA, and Friendship Lutheran Church in Savoy, IL. She has also served as the Director of Music at the Oakland Baptist Church in Alexandria, VA.

Additionally, Dr. Roberson is a writer and publisher. She has written several articles for Salem Press and EBSCO Publishing’s multi-volume of biographical and analytical publication of Musicians and Composers of the 20th Century as well as The Forties in America. She has also written several articles in their upcoming multi-volume of The Twenties in America, The Thirties in America, and Great Lives from History: African Americans. She is currently engaged in research in reference to popular ethnic music, women in music, spectral music, and theory and analysis of 20th century music. Dr. Roberson is also the publisher of Roberson Music Publishing Company where several of her works have been published. To learn more about Dr. Roberson, visit her website.


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